Host is a Shudder original film that perfectly suits this year of the pandemic. Shot and edited entirely on laptop and phone screens, the cyber horror plays out the entirety of a video telephone call conference on the app Zoom. The Zoom meeting initially starts off with a group of friends trying to communicate with spirits of dead friends and family members on an astral plane. Only one mistake leads to a domino effect of supernatural occurrence in every chat window, leading to a set up of unexpected jump scares and paranormal activities.

Even though the film clocks in at nether an hour, Host has enough substance to go far a scary and thrilling watch with a lot to interpret.

Kairo (2001)

A still from Kairo (Pulse)

Kairo (also known as Pulse) is a Japanese techno-horror with a cult following. The movie did spawn English remakes with the Pulse franchise, but information technology's the original that provides genuine chills. Information technology revolves effectually supernatural spirits invading the human world through net connections.

Rather than relying on gore or bound scares, Kairo builds an atmospheric horror suited for the modernistic tech-savvy generation. The real horror lies in the possibility of Kairo'south setting turn into a real-life scenario, especially for a population that's obsessively addicted to their screens.

Ouija: Origin Of Evil (2016)

A girl looking through the planchette in Ouija: Origins of Evil

The first Ouija film turned out to be quite a forgettable moving picture, merely it was its prequel Ouija: Origin Of Evil that delivered a fresh twist on horror tropes, such every bit possession and exorcism. Directed by modern horror maestro Mike Flanagan, it features the tale of a widow and her ii daughters who apply an Ouija board for a phony business of communicating with the expressionless.

However, amid scamming their customers, the family doesn't realize they have brought dorsum a spirit into the real earth who is possessing one of them. The traumatic past of such spirits is revealed every bit the story progresses. Even though Ouija: Origin of Evil was rated PG-thirteen, it has enough scares to raise eyebrows.

Unfriended (2014)

Friends chatting online in Unfriended

Earlier Host, Unfriended had experimented with the video call-horror style of filmmaking. The sleeper hit didn't get the best of disquisitional reviews, only information technology has been an audience favorite since its release, many praising the execution of the picture's limited setting. The entirety of Unfriended is presented as a screencast on a MacBook.

A few friends get together for a Skype conversation until an account enters the conversation, pretending to be their dead friend who died by suicide exactly a year ago. Initially dismissing it equally a prank, the friends grow alarmed when they realize the spirit of their friend has returned to uncover some night secrets from every character. Unfriended can exist unsettling, not just for its supernatural elements, but besides for its realistic aftermath of cyberbullying.

The Den (2013)

A still from The Den

The Den (besides known as Hacked) is a slasher for digital times. It starts off with a woman who is academically analyzing the habits of webcam users. This makes her hazard upon an actual murder happening alive on a webcam. Later on beingness scarred from what she simply witnessed, she likewise has to protect her own life, every bit she becomes the killer'due south next target.

The narrative flits through several screens, from laptops to surveillance cameras, building a tense atmosphere of suspense throughout the motion picture.

Rec (2007)

A woman looks on in terror from REC

The Castilian horror Rec has definitely accelerated the genres of survival and institute-footage to new levels, with a very realistic and adrenaline-fueled premise. A few firefighters are trapped in an apartment building and a announcer (with her cameraman) seeks to get a story out of this situation by all means possible. Every bit the latter discovers, a virus has been released in the building, transforming its inhabitants into savage, bloodthirsty creatures.

The building that forms the crux of Rec is definitely one of the well-nigh nightmarish and claustrophobic hellscapes in modern horror. The found-footage style, too, is dissimilar from similar films in the genre and offers a shaky, nail-biting aura.

V/H/S/2 (2013)

Adam Wingard in V/H/S/2

V/H/S/2 serves every bit the sequel to 5/H/S, a horror anthology that featured several horror shorts by emerging filmmakers. The 2d office ups the scares and the gore, offer v segments that are continued to each other with a frame narrative. A student goes missing and private investigators chance upon a box of VHS tapes, each revealing a motive behind the disappearance.

V/H/S/2 would be a delight for genre fans with its raw, bizarre stories presented by some of the finest modernistic auteurs, like Gareth Evans, Adam Wingard, and Eduardo Sánchez.

The Visit (2015)

grandmother in the visit

Later a series of flops, writer-director Thousand. Nighttime Shyamalan bounced back with his institute-footage horror, The Visit. The title refers to two children visiting their grandparents' business firm for a weekend getaway. When the grandparents showtime acting mysteriously, the children decide to investigate further, with dark and disgusting results.

Even though The Visit tin can disturb audiences, it has the archetype horror humor, every bit well, complete with soiled adult diapers and The Exorcist-style projectile vomiting. Equally one of the lead characters tends to record everything with her video photographic camera, a sense of realism is added to the documentary-like feel of the moving picture.

Hell Business firm LLC (2015)

A still from Hell House LLC

Hell Business firm LLC functions every bit a highly conceivable mockumentary with the elements of a true-crime docu-drama. The movie opens with a tragedy at a Halloween-themed haunted house that leads to the death of 15 people. A documentary crew and so investigates the story behind the ride'southward creation and what exactly could have caused it to malfunction.

For those who are faint-hearted when it comes to amusement park rides and theme park haunted houses, Hell Business firm LLC will exist an fifty-fifty scarier feel.

CAM (2018)

Madeline Brewer in horror film Cam

CAM is an intense wait into a webcam model'due south struggle to gain popularity. Initially, the pic touches upon the manner such models can exist exploited past users, as well equally their own companies. Every bit for the protagonist (played by a perfectly-cast Madeline Brewer), she as well has to face unimaginable forces against an exact replica of herself running her cam account.

Produced by Blumhouse Productions, CAM takes a unique, fast-paced approach in portraying ane woman's desperate attempts to understand her identity. Towards its third act, viewers may get equally puzzled as the heroine in figuring what's existent and what'due south not.

The Blair Witch Projection (1999)

Closeup of a scared Heather in The Blair Witch Project

The motion-picture show that ushered in a new era for found-footage picture palace, The Blair Witch Project offered a real-time event to familiar horror settings. This resulted in a modern classic that however survives the test of time, irrespective of the seemingly junior spin-offs it spawned.

The Blair Witch Projection finds a group of student-filmmakers hitchhiking in a Maryland wood and eventually getting lost in the wilderness. The recovered-footage of these students is and so presented as the film. With improvised dialogues, interactive characters, and the fright of an unknown force, The Blair Witch Project is a menacingly brilliant entry in the pantheon of horror mock-docs.

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